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      <image:caption>Conductor &amp; Composer Daniel Krenz is the Assistant Conductor of the Nashville Opera, founding Music Director of the Blueprint Ensemble, the Music Director for the Belmont University Opera Theatre, and a contributing composer for the Nashville Composer’s Collective.  In 2021 Daniel was a participant in the Conductor’s Workshop at the Cabrillo Festival of Contemporary Music where he participated in masterclasses with Cristian Cristian Macelaru, Marin Alsop, Larry Rachleff, and Gemma New. He was also accepted to the Conducting Academy at the 2021 Domaine Forget de Charlevoix International Music Festival where he studied with Bramwell Tovey and Yannick Nézet-Séguin. Additionally, he participated in the 2021 Järvi Conducting Academy at the Parnu Music Festival led by Krisjan and Paavo Järvi.  For the ’19-’20 season Daniel was named the Music Director of the Bay Colony Brass and served as the Assistant Conductor to the Boston Civic Symphony. He was also invited to conduct an all-Mozart program at the New England Conservatorywhere he led Victor Cayres and Heeyeon Chi in Mozart’s Piano Concerto’s No. 7 “Lodron” and No. 10 K. 365. In Boston, Daniel co-created Mahlermania! a festival dedicated to the life and work of Gustav Mahler. The festival culminated in a partial re-creation of Arnold Schoenberg’s 1913 Skandalkonzert where he led mezzo-soprano Rebecca Printz in Zemlinsky’s Maeterlinck Songs, Berg’s Altenberg Lieder, and Mahler’s Kindertotenlieder. In 2019 he made is operatic debut at the 23rd annual Opera Fringe Festival leading a run of performances of John Musto’s Later the Same Evening. Previously he served as the Assistant and Offstage Conductor for a joint production between the Glimmerglass Festival and Boston University in Janàcek’s The Cunning Little Vixen.</image:caption>
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